We discuss Paolo Sorrentino’s “Loro” (2018), a dreamlike cinematic depiction of Silvio Berlusconi. Does the film succeed in capturing Silvio, or does it glamourise him? What explains the appeal he had – and why was the left never able to properly dethrone him? What does it say about 2000s Italy, and its relevance to our times?
If you can’t find the film where you are, try this magnet link to torrent it: